Showing posts with label halloween. Show all posts
Showing posts with label halloween. Show all posts

Wednesday, October 31, 2018

Happy Hallowe'en!


Greetings October People - Autumn People - Hallowe'en People,

It is a dreary Hallowe'en morning in north Texas - rain is pounding on the roof, we have lightning and thunder and it is cool, gray and damp. I am not complaining. Normally we roll out on the Harley for a few miles on Hallowe'en but we snuck that ride in yesterday just in case Mother Nature did not cooperate with our plans. Today, there are cookies to bake, snacks to make and treats ready for those brave masked goblins who venture out in the muck and find their way to our door. Our haunt will be warm with the amber glow of jacks while in the shadows lurk witches and skeletons and other spookies. Tonight there will be friends and merriment. We will see the last jack wink out around the midnight hour.

Blessings to you and yours this Hallowe'en 2018.

Octoberwych

The Eve of All Saints - Cawein

THE EVE OF ALL-SAINTS
by Madison Cawein

1.
This is the tale they tell,
Of an Hallowe’en;
This is the thing that befell
Me and the village Belle,
Beautiful Aimee Dean.

2.
Did I love her?—God and she,
They know and I!
And love was the life of me—
Whatever else may be,
Would God that I could die!

3.
That All-Saints’ eve was dim;
The forest lay white
Under strange stars and a slim
Moon in the graveyard grim,
An Autumn ghost of light.

4.
They told her: “Go alone,
With never a word,
To the burial plot’s unknown
Grave with the grayest stone,
When the clock on twelve is heard;

5.
“Three times around it pass,
With never a sound;
Each time a wisp of grass
And myrtle pluck, and pass
Out of the ghostly ground.

6.
“And the bridegroom that’s to be
At smiling wait,
With a face like mist to see,
With graceful gallantry
Will bow you to the gate.”

7.
She laughed at this, and so
Bespoke us how
To burial place she’d go:—
And I was gald to know,
For I’d be there to bow.

8.
An acre from the farm
The homestead graves
Lay walled from sun and storm;
Old cedars of priestly form
Around like sentinel slaves.

9.
I loved, but never could say
Such words to her,
And waited from day to day,
Nursing the hope that lay
Under the doubts that were.—

10.
She passed ‘neath the iron arch
Of the legended ground,
And the moon like a twisted torch
Burned over one lonesome larch;
She passed with never a sound.

11.
Three times had the circle traced,
Thre times had bent
To the grave that the myrtle graced;
Three times, then softly faced
Homeward, and slowly went.

12.
Had the moonlight changed me so?
Or fear undone
Her stepping strange and slow?
Did she see and did not know?
Or loved she another one?

13.
Who knows?—She turned to flee
With a face so white
That it haunts and will haunt me;
The wind blew gustily,
The graveyard gate clanged tight.

14.
Did she think it me or—what,
Clutching her dress?
Her face so pinched that not
A star in a stormy spot
Shows half as much distress.

15.
Did I speak? did she answer aught?
O God! had I said
“Aimee, ‘t is I!” but naught!—
And the mist and the moon distraught
Stared with me on her—dead….

16.
This is the tale they tell
Of the Hallowe’en;
This is the thing that befell
Me and the village Belle,
Beautiful Aimee Dean.

From Days and Dreams, 1891

Tuesday, October 30, 2018

All Hallow-e'en - Slingsby

All Hallow-e’en
by Jonathan Freke Slingsby
pseudonym of John Francis Waller (1810-1894)

I.
October is dying;
Chill winds are sighing
Sadly the bare, sapless branches between;
Night, from her dark wings,
Hoar, frost, and mist flings
Over the brown fields on Allhallow-E’en.

II.
Shoot bolt and bar, now,
Leave no door a-jar, now,
Draw o’er the casement the curtain’s thick screen;
Heap logs on the fire till
The flame burns higher still,
And roars up the chimney on Allhallow-E’en.

III.
Circle the hearth-stone
Each friend and dear one,
We’ll sit where of old our forefathers have been;
Bring chalice and flagon,
The night shall not lag on
‘Mid the time-honoured pastimes of Allhallow-E’en.

IV.
The cross lightly turns,
The flame brightly burns
Of the candles, the rosy red apples between;
Then come boys and girls,
Look sharp as it twirls,
And play at snap-apple on Allhallow-E’en.

V.
With eye quick and steady,
And mouth gaping ready,
A youth makes a snap, like a wolf, at the prize:
The fruit he but touches,
It whirls from his clutches,
While the flaring light smutches his jaws and his eyes.

VI.
Thus oft, while intent on
Some joy that we’re bent on.
We heedlessly rush the fair treasure to clasp;
But a soil or a burn
Is our only return,
While all that we toiled for has fled our grasp.

VII.
Now a maiden, more wily,
Comes quiet and slily,
And waits till the cross is just changing its swing;
Then quickly she dips in
Her sweet little lips in,
And bears off the apple clear out of the ring.

VIII.
Ah! trust me that no man
Can cope with a woman
In gaining her end, be it apple or heart;
Since first Mother Eve, sir,
Took fruit without leave, sir,
The fair sex have never forgotten the art.

IX.
Place the nuts in the fire now,
All you who desire now
To learn your fate, as they crackle and burn.
Come false loves and true loves,
We’ll soon find out who loves,
Who’s fickle and faithless, who loves you in turn.

X.
Oh, how your hearts flutter
As the nuts crack and sputter,
Or steadily burning together they’re seen;
What trembling and starting,
As they’re faithlessly darting
From their mates on the bar, upon Allhallow-E’en.

XI.
There goes a bright shilling,
Let’s see who is willing
In the water to dive, where ‘tis shining within?
Then fair necks are stripping,
And bright faces dipping,
And silken hair dripping, on Allhallow-E’en.

XII.
There’s a crone in the corner,
You’d better not scorn her;
No riddle of fate for her skill is too hard.
See that young couple near her,
Who breathlessly hear her
Their fortunes expound, as she turns up each card.

XIII.
Clear a space in the middle!
For bagpipe and fiddle
Invite men and maidens to jig and to reel;
And footing it featly,
The lasses trip neatly,
And the young men cut capers with toe and with heel.

XIV.
There are charms for the bold heart,
The glass for the old heart,
To-night let no cold heart amongst us be seen;
Let strong waters and ale flow,
The song and the tale go
Around our bright hearth, upon Allhallow-E’en.

XV.
So gaily pass over
The last of October,
Perhaps, we may ne’er so enjoy it again;
‘Twill be sweet to remember
When wake, next November,
Our happy hearts’ muster on Allhallow-E’en.

From the story Snap-Apple Night - Dublin University Magazine, 1850

Sunday, September 30, 2018

The Halloween Elf - Tabb

The Halloween Elf
by J.B. Tabb (1845-1909)

There’s a funny little elf man,
In a funny peak-ed cap,
And he cuts such funny capers!
Such a merry little chap!
And he goes out on a frolic,
And he shakes his little wings,
When he thinks how very funny
Is the little song he sings!

“Halloween Night!
Halloween Night!
In the cold bright rays
Of the old moon’s light,
Elf men and brownies!
No time to be lost!
We will frolic around
Till we freeze up the ground,
And the children will think
It’s Jack Frost.”

Father John Banister Tabb 1845-1909
From The Haliburton Second Reader, 1912

Friday, September 28, 2018

Halloween 1903 - Bowman

Halloween
By Rowland C. Bowman (1870-1903)

This is the night when buzzards buzz,
And the cuckoo coos—if he ever does—
And the lizzards lie round and liz,
And the bobolinks bob, if they’re on to their “biz,”
And the night is literally soused in ink,
As you silently wait and watch and think,
And blink and wink.

Now take the cud
Of a brindle cow, and wade in the mud
‘Way out in the marsh, and dig a hole
With the shoulder blade of some poor soul
That died a leper in Lim-Po-King.
You bury the cud at half-past two,
Lie flat on your back and take a chew
Of garlic and glycerin and cloves;
And close your eyes and wiggle your toes,
And wish and wish till you’re nearly dead.
Then you wade back home and you crawl into bed,

And you wink and blink and you think some more,
Of the leper who died on the far-off shore.
You taste the garlic and see the cud,
And fall asleep a-wading in the mud,—
And—your—wishes—will—all—come—true!

From Freckles and Tan, 1900

Wednesday, September 19, 2018

What Night Would it Be? - Ciardi

What Night Would It Be?
Written by John Ciardi (1916-1986)
Illustrated by Edward Gorey (1925-2000)


If the moon shines
on the black pines
and an owl flies
and a ghost cries
and the hairs rise
on the back
on the back
on the back of your neck -

If you look quick
at the moon-slick on the black air
and what goes there
rides a broom stick
and if things pick
at the back
at the back
at the back of your neck -


Would you know then
by the small men
with the lit grins
and with no chins,
by the owl's hoo,
and the ghost's boo,

By the Tom Cat,
and the Black Bat
on the night air,
and the thing there,
by the thing,
by the thing,
by the dark thing there

(Yes, you do,
yes, you do,
know the thing I mean)

That it's now,
that it's now,
that it's Halloween!

© John Ciardi (circa 1960s)
© artwork Edward Gorey

Monday, September 17, 2018

Hallows’ E’en - Letts

Hallows’ E’en
Winifred Mary Letts (1882-1972)

The girls are laughing with the boys, and gaming by the fire,
They’re wishful, every one of them, to see her heart’s desire,
Twas Thesie cut the barnbrack and found the ring inside,
Before next Hallows’ E’en has dawned herself will be a bride.
But little Mollie stands alone outside the cabin door,
And breaks her heart for one the waves threw dead upon the shore.

Twas Katie’s nut lepped from the hearth, and left poor Pat’s alone
But Ellen’s stayed by Christy Byrne’s upon the wide hearthstone.
An’ all the while the children bobbed for apples set afloat,
The old men smoked their pipes and talked about the foundered boat,
But Mollie walked upon the cliff, and never feared the rain;
She called the name of one she loved and bid him come again.

Young Peter pulled the cabbage-stump to win a wealthy wife,
Rosanna threw the apple-peel to know who’d share her life;
And Lizzie had a looking-glass she’d hid in some dark place
To try if there, foreninst her own, she’d see her comrade’s face.
But Mollie walked along the quay where Terry’s feet had trod,
And sobbed her grief out in the night, with no one near but God.

She heard the laughter from the house, she heard the fiddle played;
She called her dead love to her side—why should she be afraid?
She took his cold hands in her own, she had no thought of dread,
And not a star looked out to watch the living kiss the dead.
The lads are gaming with the girls, and laughing by the fire.
But Mollie in the cold, dark night, has found her heart’s desire.

From The Haunted Hour, 1920

Sunday, September 16, 2018

The Witchery of the Weird - Hewitt

The Witchery of the Weird
by Arthur Wentworth Hewitt (1883-1971)

O hist ye, hist! And have ye seen
The owl in the branches bare?
“Tu-whit! Tu-whoo! ‘Tis Halloween!”
He hoots to the haunted air.

In silhouette against the moon,
On the pasture hill remote,
The dismal cow uplifts a croon
Out of her hollow throat.

Devils are dancing on the green
Now black with lifeless leaves,
And sail the hags of Halloween
Over the cottage eaves.

Their broomsticks on the windy waves
Shiver and dip, till soon
The ghosts come creeping out of their graves,
Under the gibbous moon.

The man in the moon is grinning back
At the witchery of the night,
And the gibbering jack-o-lanterns crack
A smile at the silly sight.

(From Bubbles, 1920)

Tuesday, September 4, 2018

Hallowe'en - Coxe

Hallowe'en
by Arthur Cleveland Coxe 1818-1896)

The autumn wind—oh, hear it howl!
Without—October’s tempests scowl,
As he troops away on the raving wind,
And leaveth dry leaves in this path behind,
Without—without,
Oh, hear him shout,
He is making the old trees bare;
Oh, cruel he,
To the old oak tree
And the garden hedges fair!
Oh, a wild and tyrannous king is he
When he playeth his frolic in every tree
And maketh the forest bare.

I know that a tyrannous rod is his
When he maketh the forest bow;
But worse, far worse are his tyrannies,
For he tameth the spirit now!
Without—without,
Oh, hear him shout,
October is going away!
‘Tis the night—the night
Of the grave’s delight.
And the warlocks are at their play:
Ye think that without
The wild winds shout,
But no, it is they—it is they.

The spirits are pulling the sere dry leaves
Of the shadowy forest down;
And howl the gaunt reapers that gather the sheaves,
With the moon o’er their revels to frown.
To-morrow ye’ll find all their spoils in your path,
And ye’ll speak of the wind and the sky;
But oh, could ye see them to-night in their wrath,
I ween ye’d be frenzied of eye!

circa 1842

Sunday, September 2, 2018

All Hallow Eve - Wells

All Hallow Eve
by Carolyn Wells (1862 – March 26, 1942)

You wouldn’t believe
On All Hallow Eve
What lots of fun we can make,
With apples to bob,
And nuts on the hob,
And ring-and-thimble cake.

A paper boat
We will set afloat,
And on it write a name;
Then salt we’ll burn,
And our fortunes learn
From a flickering candle flame.

Tom said, “When it’s dark
We can strike a spark
From the fur of the big black cat.”
But I said, “No!
‘Twould tease kitty so—
And I love her too much for that.”

From Days and Deeds, 1918

Friday, August 24, 2018

All Hallows Eve - Alexander

All Hallows Eve
by Hartley Burr Alexander (1873–1939)

All Hallows eve is a hoyden eve—
Winds of November whistling,—
Some ghosts be honest, some must thieve:
None saith, ‘An it please,’ or ‘By your leave,’
All Hallows eve.

Shrewd stars peer out until the skies
Are like a sieve that’s pricked with eyes—
Winds of November whistling,—
Some folk be bold, some keep their beds,
Taut coverlets about their heads:
Sooty the night and flecked and flawed
With bottle-greens and smouldering reds—
Winds of November whistling,—
Some folk, be brave and some be awed
When all the Hallows are abroad.

Dry gusts amid the crusty sheaves,
Topsy-turve of crinkling leaves—
Winds of November whistling,—
When husky voices are o’erheard
Twisting thoughts in ghostly eddy,
Hist eagerly each whispered word—
Winds of November whistling,—
Some souls be weak and some be steady;
Autumn liquor’s strong and heady,—
‘Tis the dead that are most ready.

All Hallows eve is a hoyden eve—
Winds of November whistling,—
Some ghosts be merry, some must grieve;
For him that’s sinned there’s no reprieve
All Hallows eve.


The Midlands, 1916

Wednesday, August 22, 2018

Hallowe'en - Hopper

Hallowe'en
By Nora Hopper (1871-1906)

Awake, arise, you dead men all—dead women waken you,
The hunter’s moon is in the sky—her cruse of frosty dew
Earth empties; throw your covers off, of grave grass, rank and green;
This is the dead men’s holiday, ‘tis Hallows e’en.

The mother with her buried child falls into tender play,
The baby at her shrouded breast sucks soft and sleeps away,
The lover dead twelve years ago, seeks out his buried dear
That put her broke heart to sleep but yesteryear.

“Behold, my love, my hair is black, your bonny hair is white.
How come my darling’s eyes so dim?” “With weeping many a night,
With sewing many a weary day through years that knew not you.
But I have done with rosemary and bitter rue.

“My garland of dry rosemary hangs where I used to pray,
My garden with its tansy flowers runs wild for many a day;
The box plants that I tended well the passing children pull—
The green leaves strew the way they go, slow foot to school.

“And I have done with lessons now, have said my task all through,
And I may rest at last, sweetheart, as once I played with you.”
He kisses her, he blesses her, he strokes her faded hair—
She never was so dear to him when she was fair.

Brother and sister parted long by bitter words and blind
Forget the years of severed ways with old love in their minds.
The beggar that of hunger died, the girl that died of shame,
Are playing with dead children now some childish game.

Husband and wife forget the wrong that kept their souls apart—
Hand lies in hand as tenderly as heart beats upon heart.
This is the day for buried love to see as it is seen,
This is the dead man’s holiday—All Hallows e’en.

From Days and Deeds, 1906

Saturday, August 11, 2018

All-Hallow Eve - Sir Morgan

All-Hallow Eve
A Song by Sir Morgan O’D

For a portrait of this one, a portrait of that,
Looking down, looking up, or most vulgarly fat;
For such pictures I care not on brass penny-piece—
Give me beauty and fun, as combined by MacClise.
Where the grace and the good-humoured spirit,
That in the Green Isle they inherit,
Are depicted with vigorous merit,
Assembled on All-Hallow-eve.

Of all days in the year, none’s like All-Hallow-eve
For poteen and sweethearts—and if they deceive,
Why, sorrow go with them!—we’ll trust that next year
Will bring us more luck, if it brings not more cheer.
With the snap-apple merrily turning,
With the boarded nut pleasantly burning,
While the feet on the floor all go churning,
To celebrate All-Hallow-e’en.

There Norah, like Eve, while the apple she eyed,
Saw temptation in Tim, serpent-like at her side;
“The red rover,” Mick mouthed, as it came from the lass;
And the candle Con caught, while the pippin did pass.
Then such laughing, and quaffing, and squalling,
Such romping, and ranting, and mauling,
With whistling, and singing, and bawling,
To celebrate All-Hallow-Eve.

There stood Nancy and Willy the sailor together,
Burning nuts in a nook, safe from wind and from weather;
And if fairly they burn, it will certainly prove
That their hearts, like the kernels, were glowing—with love.
“That is my nut,” cried Willy, so uprightly;
“See, ‘tis burning quite purely and brightly—
It says I love daily and nightly,
This truth-telling All-Hallow-eve.”

Old Mauriah now drew her seeshteen to the fi-er,
And Patrick and Sheelah their places took by her;
The cards are displayed, and the cut is well made—
Diamonds, hearts, kings and queens, but no ill-omened spade.
“My diamond, my sweetheart, my queen!
Love and riches such auguries mean—
Believe it, the truth will be seen
This fortunate All-Hallow-eve.”

Next was melted the lead, and young Kate did essay
In the water to pour it, through the bow of a key;
But falsely it fell, as sly Kathleen could tell—
Though it lay just like truth in the depth of a well.
For it gave her a hump-backed shoemaker,
One eye, and half swaddler, half quaker.
So she vowed that wild Barney should take her
Ere the melting on next Hallow-eve.

That old subject of discord, an apple, being thrown
In a tub full of water, ‘twixt Nelly and Joan,
To catch it they dip over face, neck, and ears;
And they laugh, though like Niobe covered with tears.
Then the boys, with mouths and necks straining,
While hair, nose, and eye-lash, are raining,
Snap and dive, without ever complaining,
For apples on All-Hallow eve.

Then Dermod, the fighter, smart Mary led out,
And neatly she trips, as he foots it about;
And smack go his fingers, and smack go his lips,
As she covers the buckle, with hands on her hips.
Now up to each other advancing,
Now figuring, capering, prancing—
Sure never was seen such dancing;
O glory to All-Hallow-eve!

This was all very well, till the piper, in fun,
Said his elbow and bellows both fairly were done;
His windpipe, his drone, and his chanter were dry,
His heart in aflame, and his throat in a fry.
Then they drank, and they still called for “more, boys!”
And whisky came pouring galore, boys;
While they shouted with all their hearts’ core, boys,
A welcome to All-Hallow-eve.

Nooks and corners, though shady, still seved for to shew
Each lad had his lass, and each belle had her beau.
For warm looks and warm heart, hot love and hot hands,
Hot speeches, hot heads—Ireland’s land of all lands!
Some pressing the girls—to drinking;
Some kissing-some only a-winking;
Some laughing—but all on love thinking,
On October’s last day, Hallow-eve.

Fraser’s Magazine For Town And Country, May 1833

Friday, August 3, 2018

All-Hallow Eve - Goodale

All-Hallow Eve
Dora Read Goodale (1866 – 1915)

She too grows old.
She does not know me any more,
Beneath my lantern’s yellow flare,
Till I have crossed the crooked floor
And stand beside her chair
To have my fortune told.

One room—all still:
The ceiling bulges, black with rains;
The straight walls tremble, loose and thin;
And through the six uneven panes
Remorseless night stares in
Across the sloping sill.

The lamp is lit—
A little lamp of ancient brass
With tarnished figures, quaint and tall;
It throws huge shadows as I pass
Against the rocking wall:
She draws close under it.

She stoops her head:
Her black gaze on the chimney-place,
She hears, stern-featured, all I say;
Winding around the grim, bent face,
In lines as hard as clay,
Her blanket-shawl of red.

From two gray hands
The heavy, low, black-cushioned chair
Springs backward with a double creak;
Dark-outlined, with the yellow glare
Against her crumpled cheek,
How tall and still she stands!

My palm in hers,
With nods and cries and baleful signs,
With ancient charms of mumbled phrase,
With hard brows bent in knott, lines,
With shrewed and fickle gaze
She muses and demurs.

We two alone:
I burn the chestnuts on the hearth,
I drop the homespun ball of blue,
I share her cracked, unlovely mirth,
And hear my fortune through—
Strange warning, crooked crone!

Our eyes have met—
I cross the seamed and crumbling floor
Worn by the feet of buried men:
And as I shut the low, red door
The knocker jars again—
It rains—the stone is wet.

My fate is told!
I stumble down the lilac way—
A narrow footpath, flagged with blue—
So soon—so soon—I dare not say,
But if I prove it true
I’ll tell you—when I’m old.

The Overland Monthly, January 1884

Monday, October 30, 2017

All Saints Eve - Reese

ALL-SAINTS’ EVE
by Lizette Woodworth Reese (1856-1935)

Oh, when the ghosts go by,
Under the empty trees,
Here in my house I sit and cry,
My head upon my knees!

Innumerable, white,
Like mist they fill the square;
The bolt is drawn, the latch made tight,
The shutter barréd there.

There walks one small and glad,
New to the churchyard clod;
My little lad, my little lad,
A single year with God!

I sit and hide my head
Until they all are past,
Under the empty trees the dead
That go full soft and fast.

Up to my chamber dim,
Back to my bed I plod;
Oh, would I were a ghost with him,
And faring back to God!

From The Haunted Hour, 1920

Saturday, September 9, 2017

Snap-Apple Night - James

SNAP-APPLE NIGHT
by Joseph James (1800s)

By all that’s good! a merry scene
As ever met a poet’s vision;
Though high-born Pride may close her een,
And call on Scorn for his derision.

I will maintain it, human hearts
Are better prompting smiling faces
Than aught vain Fashion’s school imparts
Of cold and studied grimaces.

And better far the homely jest
May ask our honest admiration,
Than wit, in splendid language drest,
Whose aim is Virtue’s degradation.

But, to our picture:—mark it well!
Tradition’s yearly acted story;
When laughing Joy rings Sorrow’s knell,
And social Pleasure shines in glory.

The string suspended from on high,
With fruit and flame at random swinging;
Quick comes the blazing candle by,
When at the apple teeth are springing.

See where his booby squireship waits,
With open mouth the prize to grapple;
Give me the power, ye dubious fates,
He’ll get a candle for an apple.

That laughing girl, too, asks to bite;
Ye flames, be sure your scorchings miss her;
Nought less than rapturous Delight,
Or rosy Innocence, should kiss her.

See where her friendly prompter stands,
Mark his keen eye, how swift it glances;
And how his fortune-favour’d hands
Repel or hurry her advances.

‘Tis pleasant, faith! to view the sport—
Not most life like, but like life really—
Whether we view the lasses court,
Or Patrick flourish his shillelah.

Here sits a sage card-reading dame,
A pythoness for divination!
Who tells known lovers, name for name,
The objects of their admiration.

She knows when maidens would be brides,—
Let non her wond’rous powers disparage;
Experience, more than witchcraft, guides,
Who dreams of love sure thinks of marriage.

Aye, try your fortunes, dearest girls,
And, if dark fate no more discovers,
Sure as the sun the dew impearls,
I’ll wage my life you all get lovers.

Who doubts that whiskey can inspire?
See here, at least, it is no fiction:
View you good-humoured rosy Friar
Give mother Church’s benediction.

And round about him many a glass
Is lifted to his rev’rence holy;
A toast! a toast! boys, let it pass,
Grief is another name for Folly.

So we’ll be merry and be wise;
Come follow on as I begin it—
“The tear that dims dear woman’s eyes,
Joy kiss away the self-same minute.”

Hurrah! hurrah! again! again!
With loudes, longest honours greet it;
Re-fill your glasses, boys! and then
Good Father Michael shall repeat it.

A pleasant picture! O, for power
To give them life, as now they ape it;
I’d give, methinks, Regina’s dower,
To my warm wishes so to shape it.

To mix among the jovial crowd,
And find them old familiar faces;
Dear human hearts, that shame the proud
Inhabitants of loftier places.

I’d come in where the kisses smack,
And forward through the crew advancing,
Slap the old fiddler on his back,
And whisper, “Set the girls a dancing.”

And, opening the bolted door,
Cry, come all in—the more the merrier!
Hag Care is dead, my boys, therefore
This very night we mean to bury her.

What is the fashion-crowded hall,
Where wealth and title sport their treasure?
How weak, how vain, how empty, all,
Compared with honest, homely pleasure.

All blithsome as the summer birds,
Rejoicing in the hour of plenty,
Whose welcome lies in fewest words,
Share all we have, so it content ye!

Give Pride her place, give Wealth her gold,
Give restless Power her soul’s ambition;
Give those who sell, and those who sold
Their country’s welfare—to perdition.

But, oh! when gay good Humour smiles
Where social Mirth makes happy faces,
Where Beauty fretful Care beguiles,
And honest Laughter sorrow chases.

There set the bard. My song is done;
ye critic folk forbear your stricture;
If the poor muse no praise hath won,
Why give your plaudits to the picture.

From Poetry, 1841

Monday, October 31, 2005

Hallowe'en Rant 2005

HALLOWE'EN 2005

from a mostly Pagan
and respectfully irreverent perspective...

The holiest of all holidays are those
Kept by ourselves in silence and apart;
The secret anniversaries of the heart.
-- Henry Wadsworth Longfellow -

Hallowe'en, is not really a holiday, at least, it is not like other official holidays in the USA. We do not get off work for Hallowe'en unless we ask for the day off, there is not a Fall break from school and thankfully, some pencil neck bureaucrat has not suggested we celebrate it on some Monday or other so government workers can have an extended weekend off.

The thirty-first of October is Hallowe'en. And I, for one, am happy to let it be what it is -- something set aside from the rest, a day that does not morph into the hum-drum card and flowers occasion, namby-pamby date night, or ham n' turkey fest like what happens to most other official American holidays.

Nooooo. For those of us who cherish the macabre sense of it -- Hallowe'en is a happening; it is more a season than a night.

For me, Hallowe'en is a frame of mind. It is a journey into darkness - the darkness of heart and mind. It is a time of remembrance. It is a time of ruminative cleansing. I do not fear it. In fact, I think a fair amount of reflection on the darker aspects of my nature allows me to banish those traits that prove unfavorable forthwith.

Being a Scorpio - I apparently harbor the darkest thoughts of all, so astrologists say. But that does not mean I sit around in gloomy rooms with the doom of mankind on my mind. It means that whatever lurks in the dark of mind and spirit I call out, challenge and meet head on. It means I can embrace the dark side of my nature, engage it, and reign the beast in -- if need be.

...the night that marks the transition from autumn to winter seems to have been of olden the time of year when the souls of the departed were supposed to revisit their old homes in order to warm themselves by the fire and to comfort themselves with good cheer from their affectionate kinfolk. -- Sir James Frazer, The Golden Bough, 1890

So Hallowe'en is the Dark Carnival. It is the holiday that speaks to our superstitions and fears about death, the dead, the realm of the dead - in other words - the uncharted mysteries still unknown to the vast majority of us.

This is the one time a year where one can confront that which frightens us without misgiving. It is OK to be scared and to scare others. We can poke harmless fun at our ghoulish anxieties. On this night, it is OK to be a bit creepy, burn a candle for loved ones who have crossed over to the other side, set an empty plate at the table in anticipation of a ghostly visitor and allow the jack-o-lantern to burn throughout the night.

Hallowe'en...
It is the departure from normal.
It is the danse macabre.
It is the mystique.
It is the masquerade.

Caliginous Chaos reigns supreme this night.

As you venture out into the velvet ink of the evening and the whisper of the wind as it rattles through bare branches sounds like a sigh from beyond the grave -- remember Hallowe'en is an ancient celebration although it was not always known by this name and the Old Ones linger in the shadows.

Does that give you a chill?

Give the night a little reverence. Say hello to the crescent that is the moon this year, hold a little part of the magick for yourself -- invoking it as you will on the secret anniversaries of the heart in years to come.

May your Jack-O-Lantern burn bright throughout the night my friends.

Brightest Blessings to You and Yours
this Hallowe'en 2005!

Respectfully yours in caliginous chaos
An it harm none – do as you will…
Octoberwych
© 2005 (text revised 2018) All rights reserved

Sunday, October 31, 2004

Hallowe'en Rant 2004

HALLOWE'EN 2004

from a mostly Pagan
and respectfully irreverent perspective...

Most ancient among gods and mortals,
let my worship be within the heart
that has truly tasted life,
for behold all acts of magic and art are my pleasure
and my greatest ritual is love itself.

-- Jim Garrison, Charge of the Crone --

Picture this scene: It is a chill October day. Sodden leaves fall from the trees and stick where they land as if coated with glue. The air is thick and damp, ripe with the odor of decay, rotting vegetation and rancid clay. The clouds overhead are pregnant with the promise of rain. A rumble of thunder in the distance serves as warning of the deluge to come.

Focus on a century old clapboard house situated on a large, unkempt corner lot at a dusty crossroads in little town Texas, not too far from the railroad tracks. Now picture in your mind's eye the house as haunted. Got it?

Haunted. The roof is worn, the siding old and mismatched, some of the windows are boarded over, and the rest of the crusty windows have rusty screens in black frames that hang slightly askew. The doors which have seen too many coats of paint have panes of thick, discolored, wavy glass. The hardware is old and tarnished to a dull, verdigris patina. One should note the doors still lock with a skeleton key. The white paint on the trim is washed out, chalky and peeling. The black paint on the metal railings and corner posts is all but faded away revealing bare metal which has succumbed to the ravages of rust. Along one side of the front stoop, a decrepit and precariously leaning carport almost shelters a vintage Ford from the elements. Shrubs of indeterminate species, a trio of them, struggle to keep their greenery in front of the low stoop. Dry thatch grasses and weeds round out the forlorn landscape. Spindly saplings of chinaberry and native pecan trees are scattered about. One small patch of old-fashioned pink primroses defiantly bloom next to the rickety back steps.

Now, picture this: A pale moon of a face appears in one of the windows. It hovers there in spectral fashion, seemingly without a body. Beside the head in the window an aged and gnarly hand appears to wave or beckon. The door opens a crack with a resounding and creepy screech and then slowly, slowly the opening grows wider and wider. A Woman with wispy hair the color of the first frost emerges. She totters out on spindly legs, supported by a curved bent-wood cane. She is wearing all black - black sweater, black slacks, black shoes. She has alert, black button eyes behind spectacles that sit low on a long, slender nose. Bent with age, the crone's steps are halting and tentative as she ventures past the threshold.

From her thin lips issues the raspy whisper of your name. She raises the cane in recognition, a light gleams in her dark eyes and with a crooked smile, she bids you welcome to her haunted abode. You smile and grasp the elbow of this elderly Dame and though you say otherwise, the thought runs through your head…

Greetings Grand Mother Witch!
Blessings Grand Mother Crone!

If I were telling a Hallowe'en story, this is likely how the Witch figure would enter the picture. She might be wearing a ragged black dress and long cloak instead of a sweater and slacks. In her hands would be a broom handle instead of a cane. And a pointy black hat would sit on her head at a jaunty angle just above the rim of her spectacles. The sound of one's name on her lips would strike a shiver in the heart.

The Crone Figure as Witch:
Witch figures of various types, whatever their sex or function, share characteristics which mark them out as not only abnormal but also frightening. -- John Widdowson

I speak of the fictional stereotype Witch - the Old Woman, the one regarded as a fearful creature. I said, creature -- not human. She is the Hag - the Stick Rider - the Withered One.

She is Grand Mother Witch. She is Grand Mother Crone.

I say this because if one were to take the stereotype image of a Wicked Witch: Comb her hair and clothe her properly according to the current fashion of the day -- well, she would magically transform into someone's beloved Grandmother. And vice-versa. A prim and proper Grandmother dressed in rags and a pointy hat would likely resemble any number of fairy tale Witches.

The physical appearance of Witch-figures is typically frightening and is often almost a caricature of all the most unpleasant human characteristics. -- John Widdowson

We nonchalantly and sometimes unconsciously assign the cruel label: Witch, Crone, or Hag to Old Women as a means of proverbially crossing ourselves against everything her time-worn features represent.

They are usually old, wrinkled, bent, crippled and reclusive. They often dress in dark, dirty, ragged clothes. They mutter to themselves or display other signs of abnormal or antisocial behavior. – John Widdowson

The Old Woman is the embodiment of our fears. Most people fear old age, ill health, infirmity, the deterioration of one's faculties and death. Most people fear the loss of their looks. Most people fear being alone. In other words, when we see an Old Woman, we irrationally fear and often deny the realization: that will be me one day.

The denigration of Old Women began centuries ago, and despite our pretense of morally correct consciousness in regard to the care of our elder population, continues even today.

Signs of old Womanhood are not supposed to be seen. Women are socially and professionally handicapped by wrinkles and gray hair in a way that men are not. -- Barbara Walker, The Crone

Definitions from: Dictionary.com
crone n. An ugly, withered old woman; a hag.
hag n. An old woman considered ugly or frightful
witch n. An ugly evil-looking old woman

I have an elderly Woman friend in her seventies. She is lively and independent, well-read, educated, charming and intelligent, well into her Crone years and experience. She shared with me this profound and dismaying assessment of her status in our society: Once a Woman reaches a certain stage in her life, she becomes invisible. She goes on to say that people, especially men, in particular young men, young Women as well, talk around her or through her or over her head without bothering to address her in a direct manner, seriously consider her opinion or her status as a person with vast experience in most matters.

By reducing an Old Woman to the status of the Witch Crone as the term is loosely understood (or misunderstood) by the vast majority of allegedly educated masses in present times we give ourselves free license to shun, deride, ignore, neglect and discount the Woman's validity and her sensibilities. In short, we make her sub-human.

This is a subject that has been much on my mind of late, for reasons that will become I fear, glaringly apparent as this rant continues.

I am always more reflective at this time of year and have given myself over to this contemplation. In addition, it has not escaped my attention that my October birthday this year brings me to the number 49. In Old Woman terms -- this numerical juncture is the grade before the summit of sorts - I am not quite there yet but close enough for a good, sharp look over the edge - eh?

The Crone Figure as Wise Woman:
A Woman who calls herself Crone is willing to acknowledge her age, wisdom, and power. Through conscious self-definition, she helps to reverse hundreds of years of oppression, degradation, and abuse aimed at old Women. -- Bayla Bower

I consider myself fortunate to have known my Grand Mothers and Great Grand Mothers on both the maternal and paternal side of my family. I mean, these Women were physical and emotional participants in my rearing. As a youngster I was fascinated with the elderly. I enjoyed their stories and gentle companionship. I never tired of listening to them, talking to them, and working alongside them. It never occurred to me to be bored with them. No, even as a teenager I cannot recall experiencing difficulty relating to them. I spent a good measure of time with my Grand Mothers and I am grateful for each and every moment I have had with these wonderful, Wise Women.

MY PATERNAL GREAT GRANDMOTHER was a demure, genteel lady with finely creased feathery soft skin. She smelled like dried rose petals. She seemed so delicate that one didn't hug her too hard for fear she would break, but the grip in her hands was strong. I marveled that these aged hands had produced such remarkably fine needlework. I remember she wore flowered dresses, kid gloves trimmed with pearl buttons on her hands when she went out and most times she wore a hat with fine netting to cover a head of snowy white hair. She talked so low one had to lean in close to hear what she was saying and her laugh was all but inaudible. She had an endearing smile and a sweet charm all her own. She had the kindest eyes I have ever seen. She lived alone in a tiny apartment, her only companion -- a parakeet with which she would converse. She did not seem lonely, rather she appeared content. I knew this Grand Mother the least of all. I lost her when I was still a teenager. As I consider the matter now, she seemed to gently fade away. I cherish the gentle memory of her. That's what I learned from her - the value of quiet and the mark of true gentility.

MY PATERNAL GRANDMOTHER was, without a doubt, the single, wisest, most influential person in my life. I adored her. I aspired to be her, still do. Sadly, while I am told otherwise from time-to-time, I know I am not anything like her, but the experience of HER keeps me trying.

She was a tall Woman of angular build. She was wrinkled, yes, but I never saw the lines on her face as disfiguring. She had a wide smile and thick, wavy hair the color of burnished pewter. She smelled most often of dish soap and lanolin. She simply was and is a presence. She was good and kind, patient and purposeful. She had a fluid economy of movement that made her seem to glide about her daily tasks. She was a Woman of calm industry. Everything she set her hand to was accomplished to the best of her ability, without haste, without frustration and seemingly without stress. She too, was a fine needle Woman and an excellent cook.

She was generous to a fault with worldly goods and her charitable nature was nothing short of magnanimous. I never heard her belittle or degrade another person, I never heard her complain about anything: her life, her chores, her children, her aches and pains, or her age. I never saw her get angry or show ill temper. And, without raising her voice or showing so much as a crinkle on her brow, she gently showed me the path to honest and more importantly, honorable living.

What I remember most is: she never told me I was wrong. Rather, she would point out a particular behavior or episode in question and in a few well-chosen words simply present an alternate, more forthright method of dealing with the situation in the future. Without fail, her suggestions always made the most remarkable sense to me. I was mystified by her intuitive knowledge although I did not yet know it as that.

The Woman had faith. Yes, she was a Christian. One of two real Christians I have known in my life and the one by which I judge all others who make that claim. Her faith was not something she did or studied or practiced to get right -- it is who she was. She did not preach it. She lived it. I lost this Grand Mother when I was still a very young Woman (in my twenties), but not before I learned much at her side about how to be true to myself without forsaking the welfare of others.

MY MATERNAL GREAT GRANDMOTHER was a lively, spirited creature. She was a plump, robust Woman with a mane of white hair and smooth, rosy cheeks. Her ear lobes were abnormally long from years of wearing large, dangly rhinestone earrings. She loved a shirtwaist (belted) dress, bright with flowers. She had a fresh, starchy scent about her, the smell of the garden and outdoors. She lived to the age of 101 and to the very last she was her sweet self. I am often asked if I know the secret to her longevity. I think I do. She met each day with a smile. She worked when she had to and rested when she could. She was not a creature of excess or one of leisure. She lived simply and attacked each day with vigor and a willingness to accept whatever the day brought with it. She had a sort of a go-with-the-flow philosophy that suited her well.

She walked nearly everywhere. She raised a fine garden and was known for her lovely flowers and tasty blackberries and cream. She was an excellent cook and kept her house neat, clean and starched to perfection. She loved toe-tappin' music and was what we consider a natural musician. She could play the piano, organ, banjo, guitar and a harmonica, all without benefit of instruction. She sang folk songs while tapping her toes and clapping her hands. She laughed easily and often. She told wonderful pioneer stories of knowing Indians, surviving harsh winters and walking beside covered wagons. There was no regular bedtime at this Grand Mother's house, no rules about how early one must rise, no distance that was too far to walk for an ice-cream cone on a hot summer afternoon, no set menu at her table -- one could have what one was hungry for. She was loved by everyone because she loved everyone. She was happy to have her family and friends about her and happy to go visitin' at the drop of a hat. I was in my thirties when I lost this Grand Mother. She taught me much about the joy of living and how to cherish the simple gifts of each day.

One could take these first three Grand Mothers as I have described them and transform them by way of clothing and accessory to represent a pale shadow of the Witch figure of this discussion, but none of them would come off as wicked no matter how well they might look the part. Why? Each of them aged well and gracefully into the stage of the Crone.

Each of them embraced their age and happily imparted their wisdom to a receptive audience. Me. They in essence, became the spirit of the Wise Woman of old with seemingly little effort.

It was the medieval metamorphosis of the Wise Woman into the Witch that changed the word Crone from a compliment to an insult and established the stereotype of malevolent Old Womanhood that continues to haunt elder Women today. -- Barbara Walker, The Crone

MY MATERNAL GRANDMOTHER is still living mostly on her own at age 94. I began this rant with a fictional rendering of her old home as a haunted house and it is her face that appears as the specter in the window. The description, while exaggerated, is fairly accurate. This Grand Mother is perhaps, the perfect example of the Witch/Hag/Crone figure I have described. If we removed her to the sixteenth century I have no doubt in my mind that her antics would result in her persecution as a Witch. Before I go further I must get this out - I absolutely adore her!

She is everything the other Grand Mothers were not and so much more, too. If I had to describe this Grand Mother in a single word - the word would be: SHREW. She is very vocal, extremely opinionated and most times abrasive in her bearing.

If I be waspish, best beware my sting!
-- Shakespeare, Taming of the Shrew --

She is a diminutive Woman, short, bent, and thin although she was not always so. I remember her as a full-figured, vigorous Woman, with coal black hair and snapping black eyes. She was always front and center at every family gathering. She never got the concept of keeping a low profile. She would never have been a wallflower. She has a lovely, smooth complexion and smells of rosebud salve. I associate her with dark colors, mostly black and red. And blood red roses. Sometimes I think with some bemusement her roses have thorns. At other times, I associate her with the wild, pink primroses that bloom beside that old back porch without a bit of tending.

She is a fine seamstress and an excellent cook. She is musical and loves music. She is considered thrifty but penny pincher is a better term. One of her favorite sayings is: it is too late to tighten your belt if you've already lost your pants. She has always been a pro-active sort... with an in-your-face attitude. She did not, does not share the wisdom of her years in a passive manner. She is aggressive, demanding and controlling. She can be abusive. She loves a good squabble. She says what she thinks with little regard for good manners or even a modicum of discretion.

This Grand Mother did not teach by example, she taught by hard rule, intimidation and the threat of a pecan switch. Sit up straight, chew with your mouth closed, ladies do not cross their legs to put on socks, don't say anything if you can't say anything nice, get your nose out of that book, stay away from the tracks and the folk who live down there, do as I say and do it now, and do not under any circumstances smart off and talk back. No mumbling was allowed. If you had something to say, and you had the guts to say it -- she would hear it said loudly and plainly.

On the other hand, no grandchild ever had a bigger champion. She was/is an excellent co-conspirator who delights in flaunting rules set down by parents. This Grand Mother saw a veritable genius, musician, doctor, lawyer -- a shining star in all of us. She demanded that each of us strive to reach our full potential.

She has a keen sense of humor, was/is a fun-loving spirit and often her take on things (especially politics) is downright hilarious. No child in need was ever turned from her door. If she had what you needed or could get it -- she did. She may have ruled the roost with a loud cackle and disagreeable demeanor but there was never any doubt in my mind that she loved me, cared deeply about me and would do anything for me. Even now.

My Mother is Grand Mother's oldest child, I am the oldest grandchild, my daughter is the great baby or the oldest great grandchild and her son is the oldest great, great grandchild. We are five generations. When the Great Grand Mother was living and before the great, great grandson was born -- we were five generations of Women. Being the First of the First and the Mother and Grand Mother of the First of the First allows me a certain peculiarly elevated status in her mind.

I have always been very close and shared a special bond with this Grand Mother. I spent many long summers and Christmas vacations in her company. Even after I became an adult, with the responsibility of my own family -- we stayed close, spent time on the weekends and I made certain I was present for birthdays and other occasions, even non-occasions so dear to an old lady's heart. We still talk by telephone on a regular basis.

Despite what could be misunderstood as disparaging opening comments about this Woman, believe me when I say, I love and care deeply for her. She was and is a positive influence in my life, especially during my formative years. She taught me to speak up for myself and take matters into my own hands. She taught me I am in sole control of my destiny and to never consider myself a victim of circumstances.

Sadly, because Grand Mother is so cantankerous, her later years have been dull and lonely. All the people she knew and loved and related to on a daily basis preceded her in death years ago. The family stopped coming to visit. The family stopped calling. Few members of the family are hale and hearty enough to withstand her waspish ways. It is hard not to take the things she says personally, because often, her attacks are hurtful. With few exceptions (I might be one of them); nothing or no one pleases her for long.

What most do not understand is we, her family, are as much a part of the problem as she is. How agreeable would you be, if you were a 94 year old lady, who has given your life to the care of your family - if you found yourself sitting alone all day, every day? Shunned. Neglected. Forgotten. Is there any other way to see it? So many live so close and do so little. It is deplorable. Few understand that what Grand Mother needs is interaction. Her mind is still active and requires real, engaging conversation. She is the type of person who thrives on debate. And, she needs someone to listen.

The friend in her seventies that I spoke of earlier told me recently that she encountered a similar issue with her own Mother. She felt her Mother was sharing all sorts of nonsensical and trivial information with her about obscure relatives and past events and finally asked her why she felt compelled to do so. Her Mother simply replied that she had no one else to tell it to. The friend realized that when an old person speaks of the past, often repeating a certain episode over and over, they are really trying to make sense of their life. They are trying to validate their existence, and perhaps resolve their reason for being. The friend resolved to become better at listening. Ditto.

Grand Mother, without this interaction, without someone to exchange ideas and information, without someone to do the listening has withdrawn to a world of shadows and memories. She has grown bitter, distant and reclusive.

My aunt, who rarely visits or calls her own Mother, and often is resentful when she does visit, said to me once that she didn't like to stay too long with Grand Mother because and I quote, "All she talks about is dead people."

My exasperated response to that asinine comment was as follows: Dead people! Well, I am thinking if she had more live people in her life on a daily basis she'd have more than dead people to talk about! And just for the record, which dead people do you not want to hear about? Your Father? Your Grand Mother? The Aunts? The Uncles? Your recently departed Sister?

I recently reminded the family to no avail of one simple thing:

I am only one, but I am still one. I cannot do everything, but still I can do something. And because I cannot do everything I will not refuse to do the something that I can do. -- Helen Keller

The something that I can do is as simple as expressing love and interest. Apparently, that is asking too much.

Over the past few years, I have lived far from my roots. Upon each successive visit home I have been able to mark Grand Mother's unwholesome decline. I have born witness to a Woman on the edge of nowhere. She simply does not exist except in the ghost lands of her memories.

Yes, this Woman is haunted. Her house is haunted. The sound of laughter and the living have departed her space. What must it be like to sit and court the shadows of darkness, contemplate the inevitable and wait and wait and wait…?

I have witnessed my Grand Mother's transformation into the ill-favored stereotype Crone; I have witnessed her persecution as a Witch, so to speak. She is no longer a viable individual. Like so many centuries of Old Women -- she is ultimately and horribly -- dispensable.

Her Womanly Wisdom, the sum total of her person, is but kindling on a funeral pyre of regret and disillusionment.

I have been told that such is just the way of things, but it is in my nature to challenge the status quo. And, by so doing, I will have learned much from this Grand Mother after all.

Perhaps I may avoid some of the pitfalls of aging, perhaps not rely on the questionable devotion of family, perhaps value the friendships I have and strive to maintain them, perhaps make myself useful in ways I have never thought of before, and perhaps be more creative, more spontaneous, and more adventurous.

[I] ...will not become invisible, trivialized, or shamed by a society obsessed with youth and terrified of aging. -- Bower

I will own my age and strive to make these the best years of my life. I will accept my physical limitations to some extent but I vow to test them often. I will explore new realms with mind and heart. I will trust in the power of intuition. I will remember that life is miracle and magic. I will acknowledge and accept that I cannot be another person's conscience but continue to believe that what we send out in the world comes back to us in full measure.

... and my greatest ritual is love itself. -- Garrison

Finally, I will remember to love and allow myself to be loved.

As I light the candle of remembrance this year -- I will call the spirits of my Beloved Grand Mothers and ask that they bring what comfort they can to the Grand Mother who is still in the land of the living. Perhaps they can also provide patience to those who care for her.

If we are to be well, we must care for ourselves. We must not cast the Old Woman out, but become her more abundantly. -- Germaine Greer

Brightest Blessings to You and Yours
this Hallowe'en 2004
and Cheerful Greetings to Grand Mother Crones Everywhere!

Respectfully yours in caliginous chaos
An it harm none – do as you will…
Octoberwych
© 2004 (text revised 2018) All rights reserved

Friday, October 31, 2003

Hallowe'en Rant 2003

HALLOWE'EN 2003

from a mostly Pagan and
respectfully irreverent perspective...

How is your metaphorical garden growing?
Have you tended your plot?
What will be your final harvest?

-- Barbara Ardinger --

Are we prepared? In this month that marks the beginning of the Dark Season we are concerned with both the end of things and the beginning I think. We are concerned with celebrating the bounty of the harvest but also the care of the fields for the future.

So it goes with Life - human life. If we tend our garden well in this life -- we are prepared, when the time comes, for passage to our next plane of existence.

I have thought much upon this theme lately, having recently lost a beloved Aunt who succumbed finally, after a long and hard fought battle with a terminal illness. Many people asked my Mother and Grandmother and her Daughters -- "You are prepared, aren't you?" Anyone with a modicum of compassion should know -- even if the answer to such a thoughtless query is the precursory Yes -- the reality is No.

Oddly enough, never once did I hear someone comment on whether my Aunt was prepared...

So, I am here to answer that question for my own peace of mind. I am firmly convinced that She was prepared. I say that not because her departure and subsequent events were planned -- because they were not. No physical preparations were made in advance by herself or her family. The Aunt's wishes were known, the Aunt simply trusted her daughters to see it done. And that was enough. No one wasted precious time on the grim inevitability of the matter. No one seemed to fret over mindless trivialities of things that were not done. The focus remained on living, the here and now and every golden moment was tended as if it would last forever. I believe that is as it should be.

No, I am talking about the preparations the Aunt made by the graceful example of her life. I am talking about how She focused on living her life well and with joy, teaching her daughters and grandchildren and great grandchildren how to live purposeful, caring, responsible lives. I am talking about her selfless capacity to share herself with family and friends... I am talking about how She kept her mother close in kind regard. And how She clutched each sister to her heart and knew each one for herself - loving all without reservation. She was a faithful wife, a true friend and cherished because of it.

I am talking about her metaphorical garden.

A garden nurtured with careful thought and prudent planning.
How it thrives! How it blooms!
What a magnificent yield!
Her Legacy will live on in the fruit of her labor.
Her Tradition will survive by the will of her prodigious offspring.
What lay within my Aunt's heart was the genuine soul of her being.

What lies behind us and what lies before us
are tiny matters compared to what lies within us.

-- Ralph Waldo Emerson --

One aspect of this day called Hallowe'en is a time of joy for me. Samhain, the other aspect of the day is a time of spiritual reflection. I also consider it a time of healing. The Aunt has joined the ranks of many beloved to me who now walk beyond the veil of this reality - my reality. She is in good company. I will welcome her along with the others this Samhain with a special candle whose light I expect will burn soft and pure. I will remember her smile, the twinkle in her eye, the sound of her laughter and the scent of her presence. She will be yet another familiar and comforting light in the gathering gloom of evening.

Merry and Well We Will Meet Again Dear Aunt!

Dark as my thoughts seem of late, they cannot stay that way long at this time of year. As I said, this season brings me joy. I love the crisp feel of the air, the tumble of leaves with the slightest breeze and the sound of them skittering down the street. I love the riot of colors and myriad shapes of them in the landscape and littering the lawn. I love the pumpkins glowing in messy pyramid stacks at the farmer's market and illuminating doorsteps up and down the streets.

I love haunted houses and haunted yards. I love making scarecrows and witches and spooks. My yard looks like some kind of a Gothic Flea Market and I love it -- love it -- love it. My neighbors may be a bit frightened by the scope of it I think which makes me smile. This year it is decorated with large silhouette pieces of yard art produced by my folks and carried over a thousand miles a few weeks ago. Thanks Mom and Dad! This display is very important to me because of its origins... and so it goes with much of the paraphernalia scattered about the house and grounds. Each piece carries a memory of where or from whom it came and each memory is given its due as I bustle about the place -- spooking it up.

I love the site of colorful costuming in all shapes and sizes lining the discount store racks. I get a kick out of kids (of all ages) planning who they will be for the grand masquerade. And what would Hallowe'en be without the wondrous variety of imported nonsense in the form of toys and games and cheesy holiday decor? I love getting pictures of the grandkids visiting pumpkin patches. I love it that my daughter gets that I love it and humors me with dozens of digital photos. I love spooky stories and classic horror movies and those corny Hallowe'en tunes like The Monster Mash and The Flying Purple People Eater.

Believe it or not, colossal Hallowe'en nut that I am -- I write this diatribe with a Jack-o-Lantern glowing at my side, a spiral of Patchouli incense wafting overhead... Hallowe'en is not just a day on the calendar for me - it is a state of mind - maybe a bit lunartic (translates to the ravings of a full moon loving lunatic).

So, there you have it, my musing for the year - such as it is.

I will greet the thirty first of October with respectful reverence and finish it with unabashed revelry.

With Hallowe'en/Samhain forever blended in colorful chaos in my head...
I bid you Bright and Joyful Blessings...
May you tend your garden well my friends...

Respectfully yours in caliginous chaos
An it harm none – do as you will…
Octoberwych
© 2003 (text revised 2018) All rights reserved

Thursday, October 31, 2002

Hallowe'en Rant 2002

HALLOWE'EN 2002

from a mostly Pagan
and respectfully irreverent perspective...

Witchery -- to some the word conjures images of mystery and power;
others simply embrace it in the beautiful yet ordinary trappings of daily life.
More simply, witchery implies recognition of magical power in our lives.
Magic is everywhere.
It arises in the passage of a book that evokes emotion,
in the aroma that revives long-forgotten memories,
in certain qualities of light and color.
All these bring magic to our lives by altering our perception.

-- Kerry Cudmore 10/2002, The Witches' Quarterly --

Ev'ry W'man has a lil' Witch in 'er...

Thus spoke my Maternal Great Grandmother...

It was many years ago, in my Grandmother's kitchen one sultry, late summer afternoon when the air was thick with the odor of thyme and sage wafting over a pot of chicken and dumplings simmering on the stove, where steam hovered like a specter on still air, where flies buzzed monotonously around the back screen door, where iridescent beads of condensation ran down the white granite pitcher and dime store ice tea glasses in little rivers pooling silently on the table, where I sat quietly sipping heavily sugared ice tea and listening to the prattle of the Old Women gathered there.

Old Women with short, permed haircuts in cotton print dresses.
Old Women with a fine sheen of perspiration under their noses.
Old Women with time-lined, care-worn, bright-eyed faces.
Old Women with gnarled hands, stiff joints and swollen ankles.
Old Women housed in stout bodies plump with life.

It was one of my favorite things to do when I spent the last few days of summer with my Grandmothers. I would sit quietly and listen... virtually invisible... which is why I was tolerated in their circle, I think. I listened intently while my Great Grandmother, my Grandmother, my Great Aunt and assorted other Old Women relatives and Old Women friends talked freely and seemingly non-stop of Women's concerns - of children and other relatives and assorted town folk and menfolk whose hi-jinx made them worthy of kitchen table discussion in Little Town Texas.

They talked about Life.
They cried about Life.
They laughed about Life.

They spoke about Life with respectful reverence.

Life's Woes...
Life's Joys...
Life's Little Moments of Wonder...

They talked about their children and grandchildren - their successes, their failures, their marriages, their divorces. They talked about births and deaths. They talked about gardens and flowers, the planting of things, the harvest, the cost of bread or a length of cloth. They talked about cooking this or that delectable dish in simple southern kitchens where home-grown, home canned and made-from-scratch meant something - something good and wholesome. They talked about sickness and how to cure it. They talked about health in a manner that indicated their own well-being was secondary to the health of those in their charge. They meant it. Health was something one was grateful to have in one's old age. They entered into good-natured debate over the best cures for this or that ailment, sharing and disseminating information gathered from who knows what source or experience - you know, the proverbial Old Wives Tale cures. They swore by the time-worn remedies that did not come over-the-counter from a drug store for a baby's colic, fevers, headaches, rheumatism, shingles, and grouchy stomachs. They discussed how, interestingly enough, to tell the sex of a child by the way a woman carried it. As far as I know. My Great Grandmother never missed naming the sex of a child.

I was, very simply - eavesdropping in on Life.

Life's Magic.
Life's Mysteries.
Life's Music.

Yes, it was Life's music - a music which thrummed about the table and filled the kitchen in a crescendo of layer upon layer harmony plucked from the instruments of Old Women's soft tears, quiet sighs and cackling laughter.

In ancient times or olden days as my Great Grandmother would say, knowledge and tradition was passed on from generation to generation by literally speaking the words over and over - by communicating the Craft of Life - the pragmatic rules of simple survival - to the next generation. It is known as Oral Tradition.

Modern day, self-proclaimed Witches say this is how they learned their Craft. Traditional Witchcraft they call it, and perhaps it is, but if it is, then it was spun around a kitchen table much like the one which sits to this very day in my Grandmother's warm century old home.

This fundamental piece of furniture, the kitchen table was adorned not with the accouterments of magic one would expect but with the rudimentary accouterments of life - salt and pepper, honey and sorghum and sugar, wildflowers poking helter-skelter out of a brown glass pill bottle picked by grubby, childish hands.

Ev'ry W'man has a lil' Witch in 'er...

I do not remember what prompted it, but I do remember that statement fell impertinently on my little ears. I remember the moment of stunned silence as the congregation of Old Women mulled this over in their minds. Witches were they? Then I remember their sudden, united chuckle that erupted into wild, uninhibited laughter - every one smiling and nodding soulfully at the other as that conspiratorial Old Woman's look passed between them, glances which welcomed and embraced the idea of Witchery in their midst.

Witches we are then - they seem to agree - So Be It!

Little did I know as I sat with elbows akimbo on the table and legs swinging to and fro, sticking uncomfortably to the vinyl of the chair that summer afternoon - listening, that they, the Old Women were passing on their own tradition, their own Craft, their own brand of homespun knowledge and experience - to me. I, in turn was absorbing their Old Woman mysteries like a sponge. I was being indoctrinated into their Craft.

This was my induction into The Craft of Womanhood whose business is the Craft of Life and sometimes Death, but always it is the business of Renewal. I say it again Women's business is The Craft of Tradition and Witchery, Mystery and Magic.

Ev'ry W'man has a lil' Witch in 'er...
Every Woman is a Witch.
I believed it then. I believe it now.

I believe every Woman has the capacity to tune in to the great mystery. Life. I believe every Woman is a part of that great mystery in and of herself. I believe every Woman has the power of intuition. I believe every woman is a psychic of some degree depending upon her willingness to focus on and accept matters that may lie just outside what is considered the realm of possibility. I believe every Woman has the courage to direct her life in a positive manner and affect the lives of those in her charge in like manner. I believe Women survive despite the demons that lie in wait along the path set before them and despite those disparate creatures that sneak up from behind. I believe Women are the original vanquishers of evil.

I believe Women possess the tools to break beyond the boundaries of the mundane and the ability to embrace with a whole heart that which is cast off or deemed unworthy by others. I believe Women are a storehouse of knowledge - not book knowledge but life knowledge. I believe Women reinvent themselves with each new generation and that Womanhood is a never-ending cycle of evolution toward something more pure, more beautiful and more enlightened, that we are all contributors to something great and vast and powerful which will reveal itself as the best of ourselves - in a better time - a future place.

...I have to digress and interject here that I don't necessarily think that Witchery is gender specific. Men are quite capable of great intuitive powers and extraordinary feats of wisdom and magic but Women own a part in the great scheme of things that is exclusively their own territory and it is with Women that this discourse is concerned.

As I walk my own path I find that a look over my shoulder every now and then does the soul good. It is easy to stay grounded in this life if you remember from whence you came. So, that is what I do come every Samhain (Hallowe'en). By remembering the ones (both living and departed) who have come before me - my Womenfolk, Grandmothers, Aunts, Mothers, Sisters, and Women friends I find the courage to carry on. Thus grounded, I can focus upon those who have and will come after me - Daughters and Granddaughters. We are all Maiden - Mother - Crone in our own season and in accordance with our own will and purpose. We will be remembered by those with whom we have shared our lives and who have partaken of our traditions -- our Craft.

Yes, I remember well and most fondly those Old Women gathered around the kitchen table, the ones for whom Witchery was merely a stamp on the validity of their fruitful and purposeful lives. It was a brief glimmer of the true purpose behind their never-ending toil in the mundane world - a world that often treats Old Women as if they are truly Witches.

I am grateful for those Old Women - their ever guiding presence in my life, for their gifts of magic and mystery, tradition and witchery, for their sense of mischief and good humor. And I am thankful for the memory of their Women's Witchy laughter ringing in my head like it was yesterday...a recollection that has me smiling, even now...

So, here I respectfully offer:
Bright Blessings
To Old Women
Witches One and All
Blessed Be!

Respectfully yours in caliginous chaos
An it harm none – do as you will…
Octoberwych
© 2002 (text revised 2018) All rights reserved